Wednesday, July 17, 2013

Reference Shots


Hi, all! I’ve come up with a series of blog posts that might be at least somewhat interesting, particularly if you enjoy my Unrefined series of artworks. Many have inquired about my references for the structures and scenes in the Unrefined paintings, so I figured it might be fun to share some of my favorite reference photos on my blog. I figure I’ll post a few a week until I run out of “good” ones. (By, “good” I mean, nice shots that are interesting to you. I have hundreds of photos, but I imagine most of them are only interesting to me, as they’re either altogether useless, or only contain a small tidbit or two that I deem worth saving.)

First, it’s worth mentioning that I have NO access to ANY of these refineries, and thus far I have been unable to attain it. Private security, state authorities, and federal agencies protect these complexes. I have been asked to leave certain areas politely, and, well… not so politely. I was once “intimidated” by security vehicles off of an access road that led to refinery’s gate and I was easily still a half-mile away from the gate! You get my point. Unfortunately, in spite of the fact that I continue to bring art supplies on my reference hunts, doing sketches on location is impossible – unless I don’t mind sitting a couple of miles away from my subject, which I do! Therefore, my best bet is taking photos with my camera or (frequently) my phone, very often from my car, or “mental snapshots,” for lack of a better expression. (I’ll essentially just hold an image in my head until I can sketch it or paint it.) 

As shown here, there is rarely a shoulder upon which to pull over
and the speed limit on this particular road is 55 mph, making it difficult
to even slow down to take pictures!
Here are some more shots to kick things off....

This one may look familiar to some of you....

UNREFINED X
Coincidentally, UNREFINED XI "No Dumping," was inspired by a vacant lot with a "NO DUMPING" sign. Behind this lot was a pile of scrap and detritus from the refinery in the distance,  beyond some trees. Luckily, it was too perfect to forget, as I had no opportunity to photograph it. Anyway, sometimes these paintings are almost ready-made.

Okay, next:




How 'bout one more for now....

I like this shot, and fortunately got some more, too. About three
minutes after taking it, two security trucks drove up this road
and forced me to leave. They followed me back to the main road
and remained at the intersection. For how long... who knows?
I just kept driving....

Recently, I discovered a few more roads that have some great vantage points, so I'm sure to continue my library of reference for Unrefined, a series that seems to have no end in sight. Well, I hope this was remotely interesting for you. I'll post some more photos next week.

- Ian

Tuesday, June 4, 2013

Facebook....

Well, I finally caved and formed a Facebook page. Please check it out!

https://www.facebook.com/pages/Ian-Chrystal-Fine-Art-and-Illustration/547047055334466

There is a fair amount of work on it already and I'll continue to post more. Not to worry, though, I'll continue to neglect this blog as as I have been in recent months. (cue laughter) Would you believe that I've been using variable ratio reinforcement on my blog readers? No? All right, here a little somethin'-somethin'....



It's fun with charcoal! Just some experiments in charcoal techniques. Pretty cool, right? Now there's something that's not on my Facebook page!

Well, not yet anyway....

Tuesday, August 7, 2012

Good Show! Bitch of a Canvas....

The Push Pin-Up Productions show went swimmingly! We had a great time, and met a lot of great people! The turnout was impressive to say the least. I posted some pic's on Facebook and hopefully there will be more to follow (I'm waiting on some emails....). A hearty "THANK YOU" to everyone at Push Pin-Up Productions and all of their volunteers that orchestrated such a wonderful evening art party. If you'd like to donate to Push Pin-Up to support future events like the Reflexion/Projexion show, here's a link: Donate!

Moving on, I finally finished stretching the canvas for my next piece in the Presence series. What a f#cking bitch! GRRRR! In the end I may have removed more staples over the course of getting it right than I actually ended up using on it. What a pain in the ass.... Here's why:


Remember that plaster fist on wood supports?


Yeah, that one. Well, here it is now:


So, yeah....


Gesso time!!

Peace!

Friday, July 13, 2012

"pick...."

Hey! Finished this one up a few days ago. Sorry for the delay in posting. I took some detail shots as well....

pick.... - Acrylic and Enamel on Canvas - 36" x 24"
Click the image to enlarge (hopefully - Blogger can be finicky at times).






In these detail shots you can see the 3D effects I achieved through the magic of molding paste.






I actually painted the canvas and mottled "bruising" entirely with my hands and fingers, and used my fingers and palette knives to sculpt the "scab" out of molding paste. It only seemed appropriate that I would use my fingers for a piece titled pick...., and I thought it might grant it a more visceral quality. It certainly made for a more visceral creative experience, and I hope it comes through in the art.

Now I have to get back to work on my Presence series. In considering pick...., however, I find that it may be an interesting complement to the Presence paintings, not only in appearance, but also thematically.... Huh.... More on that stuff in a later post!

Thanks for the interest everyone! Oh, and I may bite the proverbial bullet soon and start a Facebook page to promote my work. All in favor say "Aye." I don't know that it's necessary.....

- Ian

Saturday, July 7, 2012

Reflexion/Projexion

Aaaannnd that's the theme of my first New Orleans show! I am very pleased to report that my piece, Shadow of My Former Self has been accepted to a show that "unofficially" kicks-off White Linen weekend in NOLA, and "officially" provides the after-party for a show opening at the Ogden Museum of Southwestern Art! Good-freaking-stuff, right? My sincere thanks to Push Pin-Up Productions for even considering my work, and obviously for accepting it as well.

Coincidentally, what do you think this is going to be used for?


The next piece in the Presence series, of course... but I'm not gonna' spill the beans, you'll have to wait for it.

While I wait for molds to dry, or wood glue and such, I'm keepin' busy with other work, like this one:


And this one:


They're both unfinished, but I'm truckin' on the first piece and the second... well, let's just say I'm rethinking my original objectives....

So, that's what I've been up to lately. It's great to return to the blog with happy news, and I'm actually still waiting to hear from some other venues regarding artwork I've submitted. Suffice it to say, I'm keeping my fingers crossed while I celebrate. You should, too.....

Much love,
Ian

Monday, May 28, 2012

New NOLA art! This time it's St. Louis Cathedral!

Conté Crayon on Paper - 18" x 24" - 2012
Peace!

Monday, December 5, 2011

Atomic Comics Christmas

A cartoon I did for my friend Don's Christmas sale. Inked entirely with brush! Not bad - if I do say so myself..... The final ad is under it. Yes, the tagline of the ad was conceived in conjunction with the concept of the cartoon:


(as usual, CLICK to enlarge)